Sony E – one mount across the entire set

All five lenses in this version use the nativeSony Emount. The kit therefore stays consistent with one camera system and makes focal-length changes straightforward.

Metric – focus distance scale in metres

Every lens in this set uses a focus distance scale in metres. The Imperial version uses feet and inches.

Five focal lengths in a versatile production kit

15 mmprovides a very wide view21 mmworks well for establishing shots and interiors30 mmis versatile for medium shots and b-roll45 mmoffers a natural perspective, while150 mm Macro 1:1adds detailed product and true macro work.

Irix Cine 15mm T2.6 – wide scenes and a strong sense of space

The widest lens in the kit is a strong choice for landscapes, architecture, interiors, real estate and broad establishing shots. Its rectilinear rendering helps preserve natural scene geometry, while T2.6 gives useful flexibility in more demanding light.

Irix Cine 21mm T1.5 – wide framing and fast transmission

The 21 mm combines a wide perspective with T1.5 transmission. It works well for opening shots, events, interiors and scenes where the camera stays close to the subject while keeping plenty of environmental context.

Irix Cine 30mm T1.5 – versatile medium framing

The 30 mm is useful for interviews, b-roll, medium shots and gimbal work. It balances width with a natural rendering of people and can easily become a general-purpose lens on set.

Irix Cine 45mm T1.5 – natural perspective and cinematic portraits

The 45 mm gives a natural-looking perspective and places more emphasis on the subject. T1.5 transmission provides strong depth-of-field control and useful low-light performance.

Irix Cine 150mm T3.0 Macro 1:1 – detail and macro

The longest lens in the kit is designed for precise close-ups and true1:1 macro. It is ideal for products, food, textures, nature and small details that shorter focal lengths cannot isolate in the same way.

Consistent Irix Cine image character

The lenses are designed to maintain consistent colour, contrast and sharpness across focal-length changes. This helps footage stay visually coherent and simplifies editing and colour grading.

Fully manual operation and Mod 0.8 cine gearing

Focus and aperture are controlled mechanically on the lenses. The kit does not rely on camera electronics or autofocus. StandardMod 0.8gearing and similar ring positions make follow-focus work and lens swaps easier on a prepared rig.

Rugged Nanuk case for transport

The kit includes a rugged Nanuk hard case for transporting the lenses and accessories. The set specification listsIPX7water resistanceIP6Xdust protection andMIL-SPECcompliance.

Filters and filter case included

The kit includesUV, CPL and ND filterstogether with a filter case.

Irix Cine Production Set in use

Kit includes

• Irix Cine 15mm T2.6 for Sony E Metric
• Irix Cine 21mm T1.5 for Sony E Metric
• Irix Cine 30mm T1.5 for Sony E Metric
• Irix Cine 45mm T1.5 for Sony E Metric
• Irix Cine 150mm T3.0 Macro 1:1 for Sony E Metric
• UV filter
• CPL filter
• ND filter
• filter case
• Nanuk hard case