L-mount – one mount across the entire set

All five lenses in this version use the nativeL-mountmount. The kit therefore stays consistent with one camera system and makes focal-length changes straightforward.

Metric – focus distance scale in metres

Every lens in this set uses a focus distance scale in metres. The Imperial version uses feet and inches.

Five focal lengths for very different shooting needs

11 mmprovides an extreme rectilinear wide view.21 mmsuits wide shots and interiors.30 mmis a versatile option for medium shots and b-roll.45 mmoffers a natural perspective for people.150 mm Macro 1:1adds product, food, nature, detail and true macro capability.

Irix Cine 11mm T4.3 – extreme wide perspective

The widest lens in the kit captures a large part of the scene without the typical fisheye look. It is a strong choice for real estate, architecture, interiors, establishing shots and dynamic work where a pronounced sense of space matters.

Irix Cine 21mm T1.5 – wide framing and fast transmission

The 21 mm combines a wide perspective with T1.5 transmission. It works well for opening shots, events, interiors and scenes where the camera stays close to the subject while keeping plenty of environmental context.

Irix Cine 30mm T1.5 – versatile medium framing

The 30 mm is useful for interviews, b-roll, medium shots and gimbal work. It balances width with a natural rendering of people and can easily become a general-purpose lens on set.

Irix Cine 45mm T1.5 – natural perspective and cinematic portraits

The 45 mm gives a natural-looking perspective and places more emphasis on the subject. T1.5 transmission provides strong depth-of-field control and useful low-light performance.

Irix Cine 150mm T3.0 Macro 1:1 – detail and macro

The longest lens in the kit is designed for precise close-ups and true1:1 macro. It is ideal for products, food, textures, nature and small details that shorter focal lengths cannot isolate in the same way.

Consistent Irix Cine image character

The lenses are designed to maintain consistent colour, contrast and sharpness across focal-length changes. This helps footage stay visually coherent and simplifies editing and colour grading.

Fully manual operation and Mod 0.8 cine gearing

Focus and aperture are controlled mechanically on the lenses. The kit does not rely on camera electronics or autofocus. StandardMod 0.8gearing and similar ring positions make follow-focus work and lens swaps easier on a prepared rig.

Rugged Nanuk case for transport

The kit includes a rugged Nanuk hard case for transporting the lenses and accessories. The set specification listsIPX7water resistanceIP6Xdust protection andMIL-SPECcompliance.

Filters and filter case included

The kit includesUV, CPL and ND filterstogether with a filter case, providing a useful basic filter selection alongside the lenses.

Irix Cine Extreme Set in use

Kit includes

• Irix Cine 11mm T4.3 for L-mount Metric
• Irix Cine 21mm T1.5 for L-mount Metric
• Irix Cine 30mm T1.5 for L-mount Metric
• Irix Cine 45mm T1.5 for L-mount Metric
• Irix Cine 150mm T3.0 Macro 1:1 for L-mount Metric
• UV filter
• CPL filter
• ND filter
• filter case
• Nanuk hard case