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The Irix Directors Set includes seven carefully selected lenses that cater to the needs of any film set. They offer a wide range of focal lengths, from ultra-wide-angle (11mm) to telephoto (150mm), ensuring consistent visuals and excellent image quality across various shooting conditions. These lenses are known for their precision, minimal distortion, and durability in challenging weather conditions. Additionally, their standardized parameters simplify on-set operations, reducing the need for frequent equipment adjustments.
A lens set that easily allows you to accomplish work on any film set. Seven lenses with carefully selected parameters that will enable you to meet all your client's expectations, from stunning wide-angle shots to extreme close-ups. All lenses are matched, ensuring a consistent look across the entire range, which not only stands out but also significantly simplifies post-production. Each lens differs by approximately 20 degrees in field of view, making them work perfectly together, covering an ideal range from 117° to 13.7° for a full-frame sensor.
Is an excellent lens for ultra-wide shots. A favorite among many operators for filming in tight spaces. With a 117° field of view, you'll be able to make even the smallest spaces feel expansive. The lack of a fisheye effect and very low distortion help maintain all straight lines.
is an excellent lens for wide shots. The ability to mount filters on such a wide lens makes it an excellent choice for landscape and cityscape shots.
is a wide lens without distortion that will become your go-to lens for opening any scene. It is also an excellent choice for shots in tight spaces where filming from a distance is not possible, such as events and weddings. The T1.5 aperture allows for background separation, creating a beautiful bokeh effect.
is an excellent lens for medium shots. It works well for interviews where you want to maintain some space around the subject and for b-roll shots. On a crop sensor, the Irix 30mm is close to a 45mm lens, making it an ideal alternative for portraits.
is a favorite lens among current users of Irix optics. It is a prime example of the cinematic "Irix look". The T1.5 aperture allows filming in any lighting conditions. Sharpness across the range allows for beautiful shots even with a wide aperture. By using an ND filter, you can achieve cinematic footage that stands out even in daylight.
is a short telephoto cinematographic lens, essential for filmmakers, and excels in creating cinematic portraits, narrative films, and documentaries. It also allows for a cinematic look even in challenging lighting conditions.
T3.0 tele is the twin brother of the Irix Cine 150mm T3.0 Macro lens, but specifically designed for working on longer-distance shots. It features a redesigned focusing mechanism that allows for much greater precision in the range from 2 meters to infinity.
Irix lenses are designed to complement each other during on-set work. Each lens has standardized aperture and focus ring distances, greatly simplifying lens changes during shooting. Similar weight and size avoid the need to rebalance the tripod, steadicam, or gimbal. The optics of Irix lenses are designed to achieve the same image character while maintaining contrast, color, and sharpness across the entire set. When filters are required, most lenses feature an 86mm thread and a 95mm front diameter. Irix lenses are weather-resistant, allowing work in all conditions. The seals provide protection against dust, sand, and water, so your only limitation might be your camera’s weather resistance. Nanuk cases are known worldwide for their quality, characterized by durability and strength. With specially designed foam inserts, the case is perfectly fitted for storing Irix lenses.
The entire set with the case weighs approximately 13 kg.
The set includes: