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2026
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Long exposure is a photographic technique that allows us to see the world differently from how we perceive it every day. You’ve surely seen photos of rivers and waterfalls where the water takes on a silky texture, or night city shots with lights stretched into trails – it’s thanks to long exposure that these images gain that dreamy, painterly quality. In this article, we’ll show you step by step how to achieve such shots – from basic camera settings to using ND filters.
The shutter speed (exposure time) determines how long light reaches the camera sensor. In everyday photography, we usually use very short times – fractions of a second – to freeze motion and get sharp images. However, when we extend the exposure to several seconds or even minutes, the effect is completely different: everything that moves becomes blurred, creating a smooth, dynamic image. That’s why this technique is so popular in landscape and city photography.
In practice, it can look like this:
One of the main challenges with long exposures is the excess of light entering the camera. Even at the lowest ISO (e.g., 100) and a strongly closed aperture (e.g., f/16), photos taken on a sunny day can easily be overexposed. That’s why photographers use ND filters, which act like sunglasses for your lens.

An ND filter (Neutral Density) is a piece of optical glass that darkens the scene evenly. Its purpose is to reduce the amount of light entering the lens without affecting color or contrast. This allows you to extend exposure time even in broad daylight and achieve the characteristic effects of long exposure – the motion blur of water, clouds, or car lights.
ND filters come in different strengths that determine how much light they block. Weaker ones (like ND2 or ND4) create a subtle effect and allow only slight extension, while stronger ones (such as ND1000 or higher) make minute-long exposures possible. The rule is simple: the higher the ND number, the darker the filter and the longer the exposure time.
In addition to fixed-strength filters, there are variable ND filters that work like a dimmer – by rotating them on the lens, you can smoothly adjust the density within a certain range (e.g., ND2–ND400). It’s a convenient solution, though extreme settings may cause unwanted image artifacts.
Let’s assume that without a filter, the correct exposure is 1/1000 s.
This simple calculation helps you imagine how the effects differ – from subtle smoothing to strong, painterly blurring. You can also find dedicated ND filter exposure charts online to make outdoor calculations easier.
Even if you’re just starting with ND filters, it’s worth investing in a product from a reputable brand. Cheap, no-name filters can ruin your images – they often cause color shifts, reduce contrast, and introduce reflections. HOYA offers several series of ND filters at different price ranges, while Irix has a line of both fixed and variable models. Both brands use high-quality optical glass and anti-reflective coatings that minimize flares and preserve natural colors.
A good starting point is a filter with a density of ND64 – great for photographing water or clouds in soft light – or ND1000, ideal for bright conditions when you want very long exposures.
When shooting with long exposure, set the lowest ISO your camera allows (typically 100, sometimes 50). This minimizes digital noise and gives you more flexibility to extend the shutter speed.
The second key parameter is the aperture. Common values are f/8–f/16, which provide great depth of field and image sharpness. Closing the aperture too much (e.g., f/22 or higher) can lead to loss of sharpness due to diffraction, so it’s better to avoid that.
Vignetting – darkened corners – is a common issue with wide-angle lenses and cheap filters. It’s most noticeable against bright backgrounds like the sky. Mild vignetting can be fixed in post-processing, but strong dark edges are hard to remove without cropping or losing quality.
To minimize it, choose filters with a low-profile frame – the less it protrudes into the frame, the lower the risk. Avoid stacking multiple filters at once, as each additional glass increases the chance of vignetting.
Long exposure photography opens up a whole new way of seeing the world: from soft, flowing water to glowing trails of city lights. To achieve these effects, you need a suitable ND filter that reduces incoming light and allows you to extend the exposure without overexposing. Just make sure the filter fits your lens properly – cheaper models can cause vignetting or loss of sharpness at the edges.
Don’t be discouraged if your first attempts aren’t perfect. Over time, you’ll learn to anticipate how different conditions – especially rapidly changing light and weather – affect your images. Once you capture the right moment, your camera will show you the world in a completely new way.
Want to share your own tips or have questions about ND filters? Leave a comment below and tell us what effects you’ve achieved with long exposure photography.
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